Although medieval people knew and lived in contact with nature, the allusions in the literary texts do not go into great detail about it. This is due to the fact that the appreciation of the vegetal world was fundamentally rhetorical, inherited from Antiquity and impregnated by the Christian perspective. The expressive space of literature, largely intended to persuade, describes nature through sensory and bodily metaphors that always link it to the human being. Within this framework, the article analyses the sensoriality of orchards in two works, belonging to the miraculous genre but from different times, which recover the rhetorical landscape of the orchard but connote it as a sensory landscape: Milagros de Nuestra Señora, written in the 13th century by Gonzalo de Berceo, and Los Milagros de Guadalupe, composed in the 15th century.