Representations of the Tchetchenia War in O Filho da Mãe, by Bernardo Carvalho
DOI:
https://doi.org/10.5433/1678-2054.2011v21p101Keywords:
History, Fiction, Representation, WarAbstract
This article investigates the question of representation of the Tchetchenia War in the novel O filho da mãe, by Bernardo Carvalho, emphasizing the relations between fiction and history. With this novel, we advance in our researches on Brazilian contemporary fiction and, supported by Carvalhos’s work, we will show the way literary discourse imposes itself as an important source for the reflections concerning cultural and political affairs of the contemporary world, among them the problem of the wars.Downloads
References
BAKHTIN, Mikhail. Questões de literatura e de estética: a teoria do romance. São Paulo: Editora da UNESP & Hucitec, 1988.
BARTHES, Roland. Aula. 4. ed. São Paulo: Cultrix, 1987.
BENJAMIN, Walter. Magia e técnica, arte e política. 4. ed. São Paulo: Brasiliense, 1985.
BURKE, Peter, org. A escrita da história: novas perspectivas. 3. ed. São Paulo: Unesp, 2001.
BURKE, Peter, org. Abertura: a nova história, seu passado e seu futuro. Peter Burke, (Org.). A escrita da história: novas perspectivas. 3. ed. São Paulo: Unesp, 2001, 7-37.
CARVALHO, Bernardo. O filho da mãe. São Paulo: Companhia das Letras, 2009.
CONRAD, Joseph. Heart of darkness. London: Penguin, 1994.
EAGLETON, Terry. Nationalism: irony and commitment. Terry Eagleton, Fredric Jameson & Edward Said. 5. ed. Nationalism, colonialism and literature. Minneapolis: U of Minnesota P, 2001. 23-39.
JAKOBSON, Roman. A geração que esbanjou seus poetas. São Paulo: Cosac Naify, 2006.
HELENA, Lucia. “A literatura tem poder?” Lucia Helena e Anélia Pietrani, orgs.Literatura e poder. Rio de Janeiro: Contra Capa & CNPq, 2006. 9-15.
JAMESON, Fredric. “Modernism and imperialism.” Terry Eagleton, Fredric Jameson & Edward Said. 5. ed. Nationalism, colonialism and literature. Minneapolis: U of Minnesota P, 2001. 41-66.
LIMA, Luiz Costa. História. Ficção. Literatura. São Paulo: Companhia das Letras, 2006.
LIMA, Luiz Costa. “Bernardo Carvalho e a questão do ficcional.” Intervenções. São Paulo: Editora da Universidade de São Paulo, 2002, 273-283.
MAINGUENEAU, Dominique. O contexto da obra literária: enunciação, escritor, sociedade. 2. ed. São Paulo: Martins Fontes, 2001.
OLIVEIRA, Paulo César Silva de. “Literatura, crítica e saber na esfera multiculturalista.” Revista Brasileira de Literatura Comparada 2.11 (2007): 59-76.
OLIVEIRA, Paulo César Silva de. “Estados da Teoria Literária: memória, identidade, sociedade.” E-scrita (Rio de Janeiro) 3 (2010): 47-65. Disponível em http://www.uniabeu.edu.br/publica/index.php/RE/article/viewFile/45/pdf_27.
OLIVEIRA, Paulo César Silva de. “No aqui e agora da ficção brasileira: uma leitura de O filho da mãe, de Bernardo Carvalho.” Revista Uniabeu (Rio de Janeiro) 5 (2010): 57-69. Disponível em http://www.uniabeu.edu.br/publica/index.php/RU/article/viewFile/59/119.
ROSENFIELD, Denis L. Do mal: para introduzir em filosofia o conceito do mal. Porto Alegre: L&PM, 1988.
SAID, Edward. Humanismo e crítica democrática. São Paulo: Companhia das Letras, 2007.
SHARPE, Jim. “A história vista de baixo.” Peter Burke, org. A escrita da história: novas perspectivas. 3. ed. São Paulo: Unesp, 2001. 39-62.
WHITE, Hayden. El texto histórico como artefacto literario y otros escritos. Barcelona: Ediciones Paidós Ibérica, 2003.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
a) The authors retain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution-NonCommercial 4.0 International License, allowing the sharing of the work with acknowledgment of the authorship of the work and initial publication in this journal.
b) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, publish in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (e.g. in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes as well as increase impact and citation of the published work (See The Effect of Open Access).
d) The authors of the approved works authorize the journal to, after publication, transfer their content for reproduction in content indexers, virtual libraries and the like.
e) The authors assume that the texts submitted for publication are of their original creation, taking full responsibility for their content in case of any objection by third parties.
