PhD student in Literary Theory and History at the Universidade Estadual de Campinas.
DOI:
https://doi.org/10.5433/1678-2054.2008v14p66Keywords:
Memory, Subjectivity, Dream, Place-betweenAbstract
This paper analyses memory and subjectivity’s drama in the constitution of a “dramatic (without subject)”, between dream and reality, in one of the first drama texts by Fernando Pessoa: Drama estático em um quadro: o marinheiro. This concept of drama is able to set aside subjectivity itself, which is presupposed to have central importance to the self narration. Denying chronology and physical action, the Static drama activates imagery, such as in a painting. Living the images of a dream threatens the idea of a factual past, of an unchangeable identity and of a voluntary memory.References
ARISTÓTELES. De La mémoire et de la reminiscence. Parva Naturalia. Paris: Les Belles Lettres, s/d.
FREUD, Sigmund. Interpretação dos sonhos. Obras completas de Sigmund Freud. Tomo I, v. 4. Rio de Janeiro: Delta, 1856-1939.
LISPECTOR, Clarice. Submissão ao processo. A descoberta do mundo. Rio de Janeiro: Rocco, 1999. 445-446.
MELO NETO, João Cabral de. Considerações sobre o poeta dormindo. Obra Completa. Rio de Janeiro: Nova Aguilar, 1994.
PESSOA, Fernando. Poesias dramáticas. Lisboa: Ática, 1956.
RICOEUR, Paul. Soi-même comme un autre. Paris: Seuil, 1990.
STAROBINSKI, Jean. A transparência e o obstáculo. São Paulo: Cia das Letras, 1991.
VALÉRY, Paul. Estudos e fragmentos sobre o sonho. Variedades. São Paulo: Iluminuras, 1999.
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