The man of the crowd and the flanêur in: Edgar Allan Poe’s short-story “the man of the crowd”

Authors

DOI:

https://doi.org/10.5433/1678-2054.2008v12p55

Keywords:

Modernity, Urban aesthetics, Flanêur, Space

Abstract

This paper analyses, through the reading of Walter Benjamin, the differences between the flanêur and the man of the crowd in Edgar Allan Poe’s short story “The man of the Crowd”, as well as the constitution of the flanêur as a privileged observer of that society and flanêurie as a means of apprehension and representation of that new space.

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Author Biography

Sérgio Roberto Massagli, Universidade Estadual Paulista Júlio de Mesquita Filho

PhD student in Literary Studies at Universidade Estadual Paulista Júlio de Mesquita Filho.

References

BAUDELAIRE, Charles. “O pintor da vida moderna.” Sobre a modernidade. São Paulo: Paz e Terra, 2001.

BENJAMIN, Walter . Obras escolhidas III: Charles Baudelaire um lírico no auge do capitalismo. 3a. ed. São Paulo: Brasiliense, 1994.

ENGELS, F. A situação da classe trabalhadora na Inglaterra. Rio de Janeiro: Global, 1985.

FRIEDMANN, G. La crise du progrès, Paris, 1936.

MORSE, Margaret. “An ontology of everyday distraction: The freeway, the mall, and television.” Patricia Mellencamp, ed. Logics of television: Essays in cultural criticism. Bloomington: Indiana University Press, 1998. 193-221.

POE, Edgar Allan. Os melhores contos de Edgar Allan Poe. Trad. Oscar Mendes e Milton Amado. 3. ed. São Paulo: Globo, 1999.

WHITE, Edmund. O Flanêur. São Paulo: Companhia das Letras, 2002.

WILSON, Elizabeth. “The Invisible Flanêur.” New Left Review 191 (Feb 1992).

Published

2016-03-23

How to Cite

Massagli, Sérgio Roberto. “The Man of the Crowd and the Flanêur In: Edgar Allan Poe’s Short-Story ‘the Man of the crowd’”. Terra Roxa E Outras Terras: Revista De Estudos Literários, vol. 12, Mar. 2016, pp. 55-65, doi:10.5433/1678-2054.2008v12p55.

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