Forms conversion in HQ show: analysis of a dance show under the bias of the Genetic Criticism
DOI:
https://doi.org/10.5433/2237-4876.2017v20n2p289Keywords:
crítica genética, estética cênica, linguagem da dança, movimento criador, conversão de formas.Abstract
This article is based on the doctoral thesis submitted to the Graduate Program in Language Studies at the State University of Londrina in 2016, entitled "In Traces Of Language: Ways To Convert In Show HQ" (Show presented by Ballezinho dance amateur group of Londrina, released in 2012). The focus of the work revolved around the analysis of aspects of the work under the optics of the forms conversion that occurs during the creation process. The proposals presented bring to completion the postulation of Genetic Criticism workout idea toward the scenic creation, and especially the language of dance, encouraging artists, students and researchers to develop their actions in possession of information about this reference universe , enabling the reframing of artistic work from the understanding of his creative process, expanding their horizons beyond the limits imposed by the formal completion.
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