Art, game and transformation: a singular production analysis

Authors

  • Nathany Andrea Wagenheimer Belmaia Universidade Estadual de Londrina
  • Marta Dantas Universidade Estadual de Londrina

DOI:

https://doi.org/10.5433/1679-0383.2006v27n1p77

Keywords:

Brinquedo, Brinquedo artesanal, Arte bruta, Arte Naïf, Transfiguração.

Abstract

The artistic manifestations we see these days come from techniques that have been passed along through centuries. There are few people who make an effort to do something new. Those who venture in making something original may find the acceptance of their art difficult, or remain anonymous. This article aims to present the result of the research connected to the project “Infamous ones: cases of historical singularity”. The purpose of this project was tolook for and analyze singular productions, giving space and voice to people that rarely become famous. Through a field work carried out in Londrina-PR,Douglas’s work was found and analyzed. He is a fifteen-year-old boy who developed his own method of making threedimensional miniatures in aluminum foil.

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Author Biographies

Nathany Andrea Wagenheimer Belmaia, Universidade Estadual de Londrina

 

Bacharel em Ciências Sociais pela UEL.

Marta Dantas, Universidade Estadual de Londrina

 

Mestre em História e Doutora em Sociologia pela UNESP, coordenadora do curso de especialização “História e Teorias da Arte: Modernidade e Pós-Modernidade”, docente de História da Arte do Departamento de Arte Visual da UEL e do Pprograma de Mestrado em Letras da UEL.

Published

2006-06-22

How to Cite

BELMAIA, Nathany Andrea Wagenheimer; DANTAS, Marta. Art, game and transformation: a singular production analysis. Semina: Ciências Sociais e Humanas, [S. l.], v. 27, n. 1, p. 77–89, 2006. DOI: 10.5433/1679-0383.2006v27n1p77. Disponível em: https://ojs.uel.br/revistas/uel/index.php/seminasoc/article/view/3790. Acesso em: 21 nov. 2024.

Issue

Section

Artigos Seção Livre

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