Before seeing to believe, today scanning to believe: photography and the aesthetic enjoyment of visual culture

Authors

DOI:

https://doi.org/10.5433/2237-9126.2012v6n11p111

Keywords:

Visual culture, Social accion, Photographie.

Abstract

The visual culture since the mid-twentieth century until today, with digital technologies, this bound at all levels of social life which develop various forms of sociability and knowledge. The production of images is a prodution of realites documentary that has enabled the observation of the changing sociological, anthropological and policy, thereby causing reflexive changes to all areas of the social sciences. With that, our modus operandi of visual perception is magnified instrumentalized, acting within a logic of consumption imagery that focuses greatly enlarged in aesthetic mode of presenting ourselves and produce knowledge. In this context, the picture is not doubted a major visual artifacts that contribute to these changes, it being linked to the advent of new digital technologies.

Author Biography

Sérgio Luiz Pereira da Silva, Universidade Federal de Santa Catarina-UFSC

PhD in Human Sciences from the Universidade Federal de Santa Catarina-UFSC

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Published

2012-11-03

How to Cite

Silva, S. L. P. da. (2012). Before seeing to believe, today scanning to believe: photography and the aesthetic enjoyment of visual culture. Domínios Da Imagem, 6(11), 111–120. https://doi.org/10.5433/2237-9126.2012v6n11p111

Issue

Section

Artigos gerais