Rupturas na fotografia documental brasileira: Claudia Andujar e a poética do (in)visível

Rafael Castanheira Pedroso de Moraes

doi:10.5433/1984-7939.2014v10n16p53

Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visible

Authors

Rafael Castanheira Pedroso de Moraes Universidade de Brasília (UnB).

DOI:

https://doi.org/10.5433/1984-7939.2014v10n16p53

Keywords:

Claudia Andujar, Documentary photography, Photographic realism, Contemporary art.

Abstract

This article aims to analyse Claudia Andujar’s photographies from her books Yanomami and The vulnerability of being not only to reflect about their conceptual characteristics that mix social engagement and personal expression, but also to identify the photographer’s technical and aesthetic choices to document the invisible phenomenons of the Yanomami’s culture. Using innovatives strategies of representation, Andujar reached inedited results from the political and aesthetic points of view, which marked a break with the Brazilian documentary photography history.

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Author Biography

Rafael Castanheira Pedroso de Moraes, Universidade de Brasília (UnB).

Doctor in communication from the Universidade de Brasília.

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PDF (Português (Brasil))

Published

2014-07-01

How to Cite

Moraes, R. C. P. de. (2014). Rupture on the Brazilian documentary photography: Claudia Andujar and the poetry of the (in)visible. Discursos Fotograficos, 10(16), 53–84. https://doi.org/10.5433/1984-7939.2014v10n16p53

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Issue

Vol. 10 No. 16 (2014)

Section

Artigos

License

Discursos fotográficos adota a licença CC-BY-NC, esta licença permite copiar e redistribuir o material em qualquer meio ou formato, remixar, transformar e desenvolver o material, desde que não seja para fins comerciais. E deve-se atribuir o devido crédito ao criador.

Este obra está licenciado com uma Licença Creative Commons Atribuição-NãoComercial 4.0 Internacional.