Windows of the look: dream minutiae in Chema Madoz

Authors

DOI:

https://doi.org/10.5433/2237-9126.2012v6n10p43

Keywords:

Photography, Aesthetics, Chema Madoz, Surrealim.

Abstract

The name of Spanish photographer Chema Madoz gained fame and recognition in recent decades, as a kind of a surrealist shifts in time. His art is characterized by still life, the visual jokes, ambiguity and allow various interpretations, where the threshold between the photographic and the painterly. Is this small article we propose to comment on his work and aesthetic, exemplified with the analysis of one of his most famous portraits.

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Author Biographies

André Gustavo de Paula Eduardo, Universidade Estadual Paulista (Unesp).

Master's student in Communication at Universidade Estadual Paulista (Unesp). Journalist, graduated in Social Communication from Unesp.

Deborah Cunha Teodoro, Universidade Estadual Paulista (Unesp).

Master's student in Communication at Universidade Estadual Paulista (Unesp).

References

BENJAMIN, Walter. Magia e técnica, arte e política: ensaios sobre literatura e história da cultura. São Paulo: Brasiliense, 1994.

DONDIS, Donis A. Sintaxe da linguagem visual. São Paulo: Martins Fontes, 1997.

FLUSSER, Vilém. Filosofia da caixa preta: ensaios para uma futura filosofia da fotografia. Rio de Janeiro: Relume Dumará, 2002.

KOSSOY, Boris, Fotografia e história. São Paulo: Ateliê Editorial, 2001.

MADOZ, Chema. Chema Madoz. Madrid: Ediciones Aldeasa, 2007.

SIMÃO, Selma Machado. Arte híbrida: entre o pictórico e o fotográfico. São Paulo: Editora UNESP, 2008.

TODOROV, Tzvetan. As estruturas narrativas. São Paulo: Perspectiva, 2006.

Published

2012-05-01

How to Cite

Eduardo, A. G. de P., & Teodoro, D. C. (2012). Windows of the look: dream minutiae in Chema Madoz. Domínios Da Imagem, 6(10), 43–52. https://doi.org/10.5433/2237-9126.2012v6n10p43

Issue

Section

Artigos gerais