Lago dos cisnes de Matthew Bourne: práticas do olhar de suas imagens dançantes

Alba Pedreira Vieira

doi:10.5433/2237-9126.2010v4n6p23

Authors

Alba Pedreira Vieira Valdosta State University, Temple University, United States. https://orcid.org/0000-0002-7622-1622

DOI:

https://doi.org/10.5433/2237-9126.2010v4n6p23

Keywords:

Dance, Images, Gender stereotypes.

Abstract

This paper discusses, through the lens of visual culture studies and semiotics, Matthew Bourne’s piece Swan Lake. I examine meanings of images and signs that make up this piece. The investigation is delimited to the dancers’ bodily movements, gestures, gazes and territorial explorations in Act Two, A park in St. Jame’s. By contrasting themes in classical ballets that are conventional rather than challenging, this contemporary piece is an example of avant-garde works. Indeed, avant-garde is often associated with post-modernism and is frequently contrasted with mainstream or traditional dance works, especially classical ballet. Hence, the piece is at the forefront of artistic experimentation because it implicitly affirms that traditional ballets can be reconstructed through the lens of contemporary discussions about what is natural and conventional in gender stereotypes.

Downloads

Download data is not yet available.

Author Biography

Alba Pedreira Vieira, Valdosta State University, Temple University, United States.

Master in Physical Education - Valdosta State University and PhD in Dance from Temple University, United States.

References

BANES, Sally. Dancing Women: Female bodies on the stage. New York: Routledge, 1998.

BROWNING, Barbara. Breast Milk is Sweet and Salty: A choreography of healing. In: LEPECKI, André (Ed.). Of the Presence of the Body. Connecticut: Wesleyan Un. Press, 2004. p. 97-109.

BURT, Ramsay. Genealogy and Dance History: Foucault, Rainer, Bausch, and Keesmaeker. In: LEPECKI, André (Ed.). Of the Presence of the Body. Connecticut: Wesleyan Un. Press, 2004. p. 29- 44.

BURT, Ramsay. The Male Dancer: Bodies, Spectacle and Sexualities. New York: Routledge, 1995.

DANESI, Marcel. Of Cigarettes, High Heels, and Other Interesting Things. New York: St. Martin’s Press, 1999.

DESMOND, Jane C. Choreographing sexualities on and off the stage. Madison: University of Wisconsin Press, 2001.

GERE, David. 29 Effeminate Gestures: Choreographer Joe Goode and the Heroism of Effeminacy. In: DESMOND, Jane (Ed.). Dancing Desires: choreographing sexualities on and off the stage. Madison: University of Wisconsin Press, 2001.

HERNÁNDEZ, Fernando. Da Alfabetização Visual ao Alfabetismo da Cultura Visual. In: TOURINHO, Irene; MARTINS, Raimundo (Ed.). Educação da Cultura Visual: Narrativas de Ensino e Pesquisa. Santa Maria: Editora da UFSM, 2009.

KAHLICH, Luke. Aesthetics and Philosophical Inquiry (Investigações em Estética e Filosofia). Philadelphia/PA: Temple University: 2004.

SPARSHOTT, Francis. The Theory of the Arts. New Jersey: Princeton U. Press, 1982.

STURKEN, Marita; CARWRIGHT, Lisa. Practices of Looking: an introduction to visual culture. New York: Oxford University Press, 2003.