Photography as an object of memory: technical product and ideological support in the formation of western man
DOI:
https://doi.org/10.5433/2237-9126.2008v2n2p101Keywords:
Photography, Memory, Emotion, Modern individual.Abstract
This essay intends to understand the allure that the photograph provides while of memory. Sight as double of the real, the photograph is presented as the real reproduced. As a copy that has the power to appropriate of the real represented for the fixed definition of its action, this is, as a past in revelation for who it observes. The photograph seems, then, to carry through its utopia of producer of the memory.Downloads
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