Photography as an object of memory: technical product and ideological support in the formation of western man

Authors

DOI:

https://doi.org/10.5433/2237-9126.2008v2n2p101

Keywords:

Photography, Memory, Emotion, Modern individual.

Abstract

This essay intends to understand the allure that the photograph provides while of memory. Sight as double of the real, the photograph is presented as the real reproduced. As a copy that has the power to appropriate of the real represented for the fixed definition of its action, this is, as a past in revelation for who it observes. The photograph seems, then, to carry through its utopia of producer of the memory.

Downloads

Download data is not yet available.

Author Biography

Mauro Guilherme Pinheiro Koury, Universidade Federal de Pernambuco (UFPE).

Master in Sociology from the Universidade Federal de Pernambuco (UFPE).

References

ARENDT, Hannah. Vies Politiques. Paris: Gallimard. 1974.

AUMONT, J. A Imagem. São Paulo: Papirus Editora. 1993.

BARTHES, Roland. La chambre claire. Paris: Seuil. 1980.

BAZIN, Andre. Ontologie de l’image photographique. Qu’est ce que le cinéma?. Vol.1. Paris: CERF. 1958.

BENJAMIN, Walter. O Narrador: considerações sobre a obra de Nicolai Leskov. In: BENJAMIN, Walter. São Paulo: Brasiliense, 1985. p. 197- 221. (Obras Escolhidas; v. 1).

BOURDIEU, Pierre. Un art moyen: essai sur les usages sociaux de la photographie. Paris: Minuit. 1978.

DUBOIS, Phillipe. O ato fotográfico. Campinas: Papirus. 1984.

DUMONT, Louis. O individualismo: uma perspectiva antropológica da ideologia moderna. Rio de Janeiro: Rocco. 1985.

GILARDI, Aldo. Storia sociale della fotografia. Milão: Feltrinelli. 1976.

JEFFREY, Ian. Photography: a concise history. New York: Oxford University Press. 1981.

KOURY, Mauro Guilherme Pinheiro. Imagens & Ciências Sociais. João Pessoa: Editora Universitária. 1998.

KOURY, Mauro Guilherme Pinheiro. Sociologia da Emoção. Petrópolis: Vozes, 2003.

MACHADO, Arlindo. A ilusão especular: introdução à fotografia. São Paulo: Brasiliense. 1984.

PANOFSKY, Erwin. La perspectiva como forma simbólica. Barcelona: Tusquets. 1973.

SONTAG, Susan. On Photography. Midleses: Penguin Books. 1977.

Published

2014-07-31

How to Cite

Koury, M. G. P. (2014). Photography as an object of memory: technical product and ideological support in the formation of western man. Domínios Da Imagem, 2(2), 101–106. https://doi.org/10.5433/2237-9126.2008v2n2p101

Issue

Section

Artigos gerais