Discussing the photographic image
DOI:
https://doi.org/10.5433/2237-9126.2007v1n1p31Keywords:
Culture, Visuality, Word.Abstract
This article analyzes the place of photographic image in the universe of the visual culture. Presenting a debate about the centrality obtained by the visuality and the alteration that its predominance caused in the occidental culture that was used to impute this place to verbal language. It discusses the statute of photography and the relation between the technical image and its references from three theoretical models. It questions about how the history of photography was built and its relationship with art history.Downloads
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References
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VEGA, Carmelo. Reflections for a new history of photography. In: FONTCUBERTA, FONTCUBERTA, Joan (org.). Photography: crisis of history. Barcelona: Actar, s.d. p. 78.
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VIEIRA, Tuca. Do viaduto. Piauí, Rio de Janeiro, v. 1, n. 7, p. 36, abr. 2007.
VIRILIO, Paul. La machine de vision. Paris: Éditions Galilée, 1988. p. 152-153.
BERSELLI, Edmondo. Calvario Wojtyla. L’Espresso, Roma, v. 34, p. 48-51, 26 ago. 2004.
COSTA, Mario. Della fotografia senza soggetto: per una teoria dell’oggetto tecnologico. Genova-Milano: Costa & Nolan, 1997. p. 35-36.
COSTA, Mario. A superfície fotográfica. In: FABRIS, Annateresa; KERN, Maria Lúcia Bastos (org.). Imagem e conhecimento. São Paulo: EDUSP, 2006. p. 179-192.
COUCHOT, Edmond. La technologie dans l’art: de la photographie à la réalité virtuelle. Nîmes: Éditions Jacqueline Chambon, 1998. p. 134-145.
DUBOIS, Philippe. O ato fotográfico e outros ensaios. Campinas: Papirus, 1998.
FABRIS, Annateresa. Uma outra história da arte? Locus, Juiz de Fora, v. 8 n. 2, p. 27-41, 2002
GALARD, Jean. La beauté à outrance: réflexions sur l’abus esthétique. Arles: Actes Sud, 2004. p. 35-36.
GIELOW, Igor. A dor de Edna. Folha de S. Paulo, 16 abr. 2007.
GREEN, David; LOWRY, Joanna. De lo presencial a lo performativo: nueva revisión de la indicialidad fotográfica. In: GREEN, David (org.). Qué ha sido de la fotografía? Barcelona: Gustavo Gili, 2007. p. 50, 61-62
HINE, Lewis. Social photography. In: TRACHTENBERG, Alan (org.). Classic essays on photography. New Haven: Leete’s Island Books, 1980. p. 111-112.
HUYSSEN, Andreas. Escapando da amnésia: o museu como cultura de massa. In: HUYSSEN, Andreas. Memórias do modernismo. Rio de Janeiro: Editora UFRJ, 1997. p. 243-250.
KRAUSS, Rosalind. Welcome to the cultural revolution. October, Cambridge, v. 77, p. 90, summer 1996.
MIRZOEFF, Nicholas. An introduction to visual culture. London-New York: Routledge, 2000.
NAVARRETE, José Antonio. Good-bye, Mr. Newhall. In: FONTCUBERTA, FONTCUBERTA, Joan (org.). Photography: crisis of history. Barcelona: Actar, s.d. p. 62.
ORVELL, Miles. American photography. Oxford-New York: Oxford University Press, 2003, p. 213
RIEGO, Bernardo. From the ‘Newhall school’ to the ‘histories’ of photography: experiences and proposals for the future”. In: FONTCUBERTA, Joan (org.). Photography: crisis of history. Barcelona: Actar, s.d. p. 52-53.
ROUILLÉ, André. La photographie: entre document et art contemporain. Paris: Gallimard, 2005.p. 14-16.
FABRIS, Annateresa. surrealismo e fotografia: uma proposta de leitura. Artes Visuais, Porto Alegre, v. 13, n. 22, p. 7-16, maio 2005.
VEGA, Carmelo. Reflections for a new history of photography. In: FONTCUBERTA, FONTCUBERTA, Joan (org.). Photography: crisis of history. Barcelona: Actar, s.d. p. 78.
MOXEY, Keith. Animating aesthetics. October, Cambridge, v.77, p. 57-5, summer 1996.
VIEIRA, Tuca. Do viaduto. Piauí, Rio de Janeiro, v. 1, n. 7, p. 36, abr. 2007.
VIRILIO, Paul. La machine de vision. Paris: Éditions Galilée, 1988. p. 152-153.
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Published
2014-07-30
How to Cite
Fabris, A. (2014). Discussing the photographic image. Domínios Da Imagem, 1(1), 31–41. https://doi.org/10.5433/2237-9126.2007v1n1p31
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