Text and context: Gramsci and history

Authors

DOI:

https://doi.org/10.5433/1984-3356.2015v8n15p542

Keywords:

Gramsci, Passive revolution, Cadernos do Cárcere

Abstract

Hegemony, intellectuals, the enlarged State, civil society and political society are some of the concepts present in the works of Antonio Gramsci (1891-1937) and which are found in a significant number of researches in the area of Social and Human Sciences. Antonio Gramsci's writings have been consecrated as a theoretical and methodological reference in Brazilian research, serving sometimes as an object of study, sometimes as a theoretical foundation. In the last decade, the use of his thinking as a research reference was resumed under the influence of the publication of the new Brazilian edition of his work which, between 1999 and 2002, had the merit of presenting an overview of his writings to the to make texts previously unpublished in Brazil accessible.

Author Biographies

Cézar de Alencar Arnaut de Toledo, Universidade Estadual de Maringá - UEM

Doctor in Education from the Universidade Estadual de Campinas. Professor at the Universidade Estadual de Maringá.

Jarbas Mauricio Gomes, Universidade Estadual de Maringá - UEM

Master in Education from the Universidade Estadual de Maringá. Doctoral candidate in Education at the Universidade Federal de São Carlos. Professor of Philosophy for Basic Education.

References

AGGIO, Alberto; HENRIQUES, Luiz Sérgio; VACCA, Giuseppe (Orgs.). Gramsci no seu tempo. Tradução de Luiz Sérgio Henriques. Brasília: Fundação Astrogildo Pereira. Coedição, Rio de Janeiro: Contraponto, 2010. 414p.

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Published

2015-07-31

How to Cite

TOLEDO, Cézar de Alencar Arnaut de; GOMES, Jarbas Mauricio. Text and context: Gramsci and history. Antíteses, [S. l.], v. 8, n. 15, p. 542–546, 2015. DOI: 10.5433/1984-3356.2015v8n15p542. Disponível em: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/13012. Acesso em: 3 jul. 2024.

Issue

Vol. 8 No. 15 (2015): 50 anos de golpe: arte, cultura e poder

Section

Reviews

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Copyright (c) 2015 Antiteses

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