Facet analysis and filmic work

Abstract

This is a research within the scope of the Organization and Representation of Knowledge of Motion Pictures with the purpose of analyzing and systematizing a universe of content from films, and as a result, of the audiovisual industry based onthe analytical-synthetic theory, i.e., of the faceted theory, as well as the discussion of principles of filmic analysis and the testing of the proposal in the reception scope, by means of an experiment with graduate students in Information Science from two universities (Brazilian and American). Based on the in-depth theoretical-conceptual framework of this study, an empirical research was carried out, which sought to detect trajectories of thought in the reading / analysis of the films by the participants, considering the digital environment of information and to check the property of reception and the cognitive and cultural singularities that permeated the analysis / reading of the films of the participating segments.