Van Gogh: from painting to photography and to music

Authors

  • Cássia Maria Popolin Faculdades Adamantinenses Integradas, de Adamantina (SP)

DOI:

https://doi.org/10.5433/1984-7939.2007v3n3p133

Keywords:

Van Gogh, Photography, Interlanguages, Painting

Abstract

Van Gogh portrays cuts of the act of planting, reaping, harvesting and bundling wheat. This article is aimed at doing a  comparative update between the painter works and cane cutters portrayed by Gabriel Oliveira in Flórida Paulista (SP). By uniting both readings, it intends to construct a visual narrative of the song Cio da Terra, of Milton Nascimento and Chico Buarque. The goal is to search in the canvases and in the pictures, the visibility of the poem, and in the poem, the readability of the pictures, in order to create a sensation of “reader navigator” where he could sometimes navigate in the waters of image and then in the waters of text, constructing an deconstructing text and image poetically.

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Author Biography

Cássia Maria Popolin, Faculdades Adamantinenses Integradas, de Adamantina (SP)

Jornalista. Professora de fotografia da FAI – Faculdades Adamantinenses Integradas, de Adamantina (SP); do CESD – Centro de Ensino Superior de Dracena, de Dracena (SP); e da Fundec – Fundação Dracenense de Educação e Cultura, de Dracena (SP).

Published

2007-12-15

How to Cite

Popolin, C. M. (2007). Van Gogh: from painting to photography and to music. Discursos Fotograficos, 3(3), 133–150. https://doi.org/10.5433/1984-7939.2007v3n3p133

Issue

Section

Artigos