The comic and the representation of massacre. Some hypothesis derived from the use of the animal suffering metaphor
DOI:
https://doi.org/10.5433/1984-3356.2012v5n9p163Keywords:
Massacre. Genocide, Representation, Suffering, Animalization, History of culture, Genocide studiesAbstract
This article studies eight comics produced in different circumstances, some of them works of fiction, others refering to real events. It attempts to discover relationships between the representation of massacre and genocide and the use of metaphors of animal and human suffering.Downloads
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References
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BURUCÚA, José Emilio. Historia y ambivalencia. Buenos Aires: Biblos, 2006.
BURUCÚA, José Emilio. La imagen y la risa: las Pathosformeln de lo cómico en el grabado europeo de la modernidad temprana. Cáceres: Periférica, 2007.
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CHARTIER, Roger. El mundo como representación: estudios sobre historia cultural. Barcelona: Gedisa, 1996.
CHARTIER, Roger. Escribir las prácticas: Foucault, De Certeau, Marin. Buenos Aires: Manantial, 2006.
CRUMB, Robert. The book of Genesis illustrated. Londres: W.W.Norton & Co, 2009.
DE VORAGINE, Jacques. La légende dorée. París: Garnier-Flammarion, 1967.
FRIEDLANDER, Saul (Comp.). En torno a los límites de la representación. Buenos Aires: UNQui, 2007.
GALTON, Francis. Inquiries in human faculty and its development. Londres: Macmillan, 1883.
GINZBURG, Carlo. Family resemblances and family trees: two cognitive metaphors. Critical Inquiry, v. 30, n. 3, 2004.
GINZBURG, Carlo. Rapporti di forza: storia, retorica, prova. Milan: Feltrinelli, 2000.
HOROWITZ, Elliot. Existe-t-il un art juif? le peuple de l’image: les juifs et l’art. Annales, Histoire, Sciences Sociales, Paris, n. 3, p. 665-684, mayo/junio 2001.
HUMAN RIGHTS COUNCIL. Human rights in Palestine and other occupied Arab territories: report of the United Nations fact finding mission on the Gaza Conflict. 2009. Disponible en: http://www2.ohchr.org/english/bodies/hrcouncil/specialsession/9/docs/UNFFMGC_Report.pdf. Acceso en: mayo 2010.
ISRAEL. Ministry of Foreign Affaire. The Beirut massacre: the complete Kahan commission report. Princeton: Karz-Cohl, 1983.
KAPELIOUK, Amnon. Enquête sur un massacre: Sabra et Chatila. París: Seuil, 1982.
LaCAPRA, Dominick. History and Memory after Auschwitz. Londres: Cornell University Press, 1998.
MACBRIDE, Seán. Israel in Lebanon: the report of international commission to enquire into reported violations of International Law by Israel during its invasion of the Lebanon. Londres: Ithaca Press, 1983.
OESTERHED, Héctor; SOLANO LÓPEZ, Francisco. El Eternauta. Buenos Aires: Record, 1998.
ROSSELL, Luis; VILLAR, Alfredo; COSSIO, Jesús. Rupay: historias gráficas de la violencia en el Perú. Lima: Contracultura, 2008.
SACCO, Joe. Palestine. Nueva York: Fantagraphics Books, 2007.
SACCO, Joe. Safe Area Gorazde: the war in eastern Bosnia 1992-95. Nueva York: Fantagraphic Books, 2000.
SANDARS, Nancy. K. (Ed.). The epic of Gilgamesh. Nueva York: Harmondsworth, 1977.
SHAKESPEARE, William. Como gustéis: acto II, escena 1. In: SHAKESPEARE, William. Obras completas. Madrid: Aguilar, 1951.
SPIEGELMAN, Art. In the shadow of no towers. Toronto: Pantheon Books, 2004.
SPIEGELMAN, Art. Maus: Historia de un sobreviviente. Buenos Aires: Emecé, 1994.
VÁZQUEZ, Laura. El oficio de las viñetas. Buenos Aires: Paidos, 2010.
VIGNY, Alfred de. La mort du loup. In: VIGNY, Alfred de. Les destinées. Editora: Local, 1864.
BURUCÚA, José Emilio. Historia y ambivalencia. Buenos Aires: Biblos, 2006.
BURUCÚA, José Emilio. La imagen y la risa: las Pathosformeln de lo cómico en el grabado europeo de la modernidad temprana. Cáceres: Periférica, 2007.
BURUCÚA, José Emilio; KWIATKOWSKI, Nicolás. Hunt, Martyrdom, Hell: is it possible to forge a new global vocabulary regarding genocide based on a historical approach to the representation of massacres? Constellations. An International Journal of Critical and Democratic Theory, New York, v. 17, 2010.
CHARTIER, Roger. El mundo como representación: estudios sobre historia cultural. Barcelona: Gedisa, 1996.
CHARTIER, Roger. Escribir las prácticas: Foucault, De Certeau, Marin. Buenos Aires: Manantial, 2006.
CRUMB, Robert. The book of Genesis illustrated. Londres: W.W.Norton & Co, 2009.
DE VORAGINE, Jacques. La légende dorée. París: Garnier-Flammarion, 1967.
FRIEDLANDER, Saul (Comp.). En torno a los límites de la representación. Buenos Aires: UNQui, 2007.
GALTON, Francis. Inquiries in human faculty and its development. Londres: Macmillan, 1883.
GINZBURG, Carlo. Family resemblances and family trees: two cognitive metaphors. Critical Inquiry, v. 30, n. 3, 2004.
GINZBURG, Carlo. Rapporti di forza: storia, retorica, prova. Milan: Feltrinelli, 2000.
HOROWITZ, Elliot. Existe-t-il un art juif? le peuple de l’image: les juifs et l’art. Annales, Histoire, Sciences Sociales, Paris, n. 3, p. 665-684, mayo/junio 2001.
HUMAN RIGHTS COUNCIL. Human rights in Palestine and other occupied Arab territories: report of the United Nations fact finding mission on the Gaza Conflict. 2009. Disponible en: http://www2.ohchr.org/english/bodies/hrcouncil/specialsession/9/docs/UNFFMGC_Report.pdf. Acceso en: mayo 2010.
ISRAEL. Ministry of Foreign Affaire. The Beirut massacre: the complete Kahan commission report. Princeton: Karz-Cohl, 1983.
KAPELIOUK, Amnon. Enquête sur un massacre: Sabra et Chatila. París: Seuil, 1982.
LaCAPRA, Dominick. History and Memory after Auschwitz. Londres: Cornell University Press, 1998.
MACBRIDE, Seán. Israel in Lebanon: the report of international commission to enquire into reported violations of International Law by Israel during its invasion of the Lebanon. Londres: Ithaca Press, 1983.
OESTERHED, Héctor; SOLANO LÓPEZ, Francisco. El Eternauta. Buenos Aires: Record, 1998.
ROSSELL, Luis; VILLAR, Alfredo; COSSIO, Jesús. Rupay: historias gráficas de la violencia en el Perú. Lima: Contracultura, 2008.
SACCO, Joe. Palestine. Nueva York: Fantagraphics Books, 2007.
SACCO, Joe. Safe Area Gorazde: the war in eastern Bosnia 1992-95. Nueva York: Fantagraphic Books, 2000.
SANDARS, Nancy. K. (Ed.). The epic of Gilgamesh. Nueva York: Harmondsworth, 1977.
SHAKESPEARE, William. Como gustéis: acto II, escena 1. In: SHAKESPEARE, William. Obras completas. Madrid: Aguilar, 1951.
SPIEGELMAN, Art. In the shadow of no towers. Toronto: Pantheon Books, 2004.
SPIEGELMAN, Art. Maus: Historia de un sobreviviente. Buenos Aires: Emecé, 1994.
VÁZQUEZ, Laura. El oficio de las viñetas. Buenos Aires: Paidos, 2010.
VIGNY, Alfred de. La mort du loup. In: VIGNY, Alfred de. Les destinées. Editora: Local, 1864.
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Published
2012-08-17
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BURUCÚA, José Emilio; KWIATKOWSKI, Nicolás. The comic and the representation of massacre. Some hypothesis derived from the use of the animal suffering metaphor. Antíteses, [S. l.], v. 5, n. 9, p. 163–200, 2012. DOI: 10.5433/1984-3356.2012v5n9p163. Disponível em: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/12914. Acesso em: 21 nov. 2024.
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