Oppressed, Resistant, and Revolutionary: The Third World as Designed in the OSPAAAL Graphic Art

Natália Schmiedecke

doi:10.5433/1984-3356.2023v16n31p251-291

Autores

Natália Schmiedecke Universidade de Hamburgo https://orcid.org/0000-0002-6515-5965

DOI:

https://doi.org/10.5433/1984-3356.2023v16n31p251-291

Palavras-chave:

Gráfica política, Solidariedade, Terceiro Mundo, OSPAAAL, Guerra Fria

Resumo

Este artigo analisa o projeto terceiro-mundista da Organização de Solidariedade dos Povos de África, Ásia e América Latina (OSPAAAL), enfocando sua produção gráfica. A OSPAAAL foi criada em 1966 durante a Conferência Tricontinental e existiu até 2019, sediada em Havana. Argumento que a organização desempenhou um papel destacado na divulgação de imagens sobre o então chamado Terceiro Mundo, permitindo que certa interpretação sobre seu significado – associada às noções de opressão, resistência, revolução e solidariedade – fosse visualizada em nível internacional. Serão examinadas diferentes estratégias utilizadas pelos artistas que trabalharam para a OSPAAAL para aproximar visualmente diferentes contextos a fim de sustentar esta narrativa. Este estudo se insere na chamada nova historiografia da Guerra Fria e visa ressaltar o protagonismo dos atores do sul global na (re)elaboração e circulação de narrativas sobre a ordem mundial na segunda metade do século XX.

Métricas

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