Caminos Cuerpo-Experienciales a partir del Bepop-de-Lugar: sentidos espaciales de Galeria Cosmococa en el Instituto Inhotim de Arte Contemporânea
DOI:
https://doi.org/10.5433/2447-1747.2021v30n1p265Palabras clave:
Corporeidad, Ballet-de-lugar, Bebop-de-lugar, Movimiento, Geografía y Arte.Resumen
Reconstruido en el “Instituto Inhotim de Arte Contemporânea” como concebidas por Hélio Oiticica y Nevile d'Almeida, las cinco cosmococas que componen “Galeria Cosmococa” ofrecen diferentes experiencias inmersivo-sensoriales en el espacio. A través de la perspectiva de la fenomenología existencialista de Merleau-Ponty, lo objetivo del estudio es conocer cómo las Cosmococas pueden contribuir a la comprensión de la experiencia efímera y encarnada de lugar experimentada por los sujetos en su vida cotidiana. En trascendencia al concepto del ballet-do-lugar propuesto por Seamon, la experiencia entrópica de inmersión en la obra de arte indica una temporalidad transitoria que cristaliza un bebop-de-lugar. Ellas indican formas en que las encuentros y movimientos entre los sujetos y lugares ganan contornos complejos en los cuales el oportuno e imprevisto se espacializam. Las instalaciones muestran micro-dinámicas de lugar que del horizonte temporal del instante fenomenal sintetizado en el bebop-de-lugar.Descargas
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TUAN, Y. Espaço e lugar: a perspectiva da experiência. Londrina: EdUel, 2013.
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ARCHER, M. Arte contemporânea. São Paulo: Martins Fontes, 2012.
BACHELARD, G. La terre et les rêveries de la volonté. Paris : Librairie José Corti, 1948a.
BACHELARD, G. A intuição do instante. Campinas: Verus Editora, 2010.
BARBARAS, R. The Being of the Phenomenon: Merleau-Ponty’s ontology. Bloomington: Indiana University Press, 2004.
BUSKIRK, M. The contingent object of contemporary art. Cambridge: The MIT Press, 2003.
CASEY, E. S. The Fate of place: a philosophical history. Berkley: University of California Press, 1998.
CASEY, E. S. Aesthetic Experience. In: SEPP, H. R.; EMBREE, L. (Orgs.) Handbook of phenomenological aesthetics. London: Springer Science+Bussiness Media, 2010, pp.1-7.
COBB, W. Being-in-the-world and ethical language. In: CARR, D.; CASEY, E. S. (Orgs.) Explorations in phenomenology: papers of the society for phenomenology and existential philosophy. Leiden: Martinus Nijhoff, 1973, p.423-433.
DAVIDSON, J.; MILLIGAN, C. Embodying emotion sensing space: introducing emotional geographies. Social & Cultural Geography, v.5, n.4, p.523-532, 2004.
DUFOURCQ, A. Merleau-Ponty : Une ontologie de l’imaginaire. New York: Springer, 2012.
DUNPHY-BOMFIELD, J. Harmony in a Dislocated World. In: CATALDI, S. L.; HAMRICK, W. S. (Org.) Merleau-Ponty and Environmental Philosophy: Dwelling on the landscapes of though. New York: State University of New York Press, 2007, p.217-234.
GRANGE, J. Place, body and situation. In: SEAMON, D.; MUGERAUER, R. (Orgs.) Dwelling, place and environment: towards a phenomenology of person and world. Dordrecht: Martinus Nijhoff Publishers, 1985, p.71-85.
HAWKINS, H. Dialogues and Doings: Sketching the Relationships between Geography and Art. Geography compass. V. 5, n.7, p.464-478, 2011.
HAWKINS, H. For creative Geographies: Geography, Visual Arts and the Making of Worlds. Routledge: London, 2014.
KARJALAINEN, P. T. Place in Urwind: A humanist geography view. Geograficidade. v. 2, n. 2, Inverno 2012. p.4-22.
KAUSHIK, R. Art and Institution: Aesthetics in the Late Works of Merleau-Ponty. London: Continuum International Publishing Group, 2011.
LAGO, P. C. A acolhida internacional da arte brasileira. In: SARDENBERG, R. (Org.) Arte contemporânea no século XXI: 10 brasilei
LARSEN, S. C.; JOHNSON, J. T. Toward an open sense of place: Phenomenology, affinity, and the question of being. Annals of the Association of American Geographers, v.102, n.3, p.632-646, 2012.
MARRATTO, S. L. The intercorporeal self: Merleau-Ponty on Subjectivity. Albany: State University of New York Press, 2012.
MCDUFFIE, M. F. Art as an enclave of meaning. In: CROWELL, S. G. (Org.) The prism of the self: Philosophical essays in honor of Maurice Natason. Springer: Dordrecht, 1995, p.205-220.
MERLEAU-PONTY, M. Fenomenologia da percepção. São Paulo: Martins Fontes, 2011.
MERLEAU-PONTY, M. A prosa do mundo. São Paulo: Cosac Naify, 2012.
MERLEAU-PONTY, M. O olho e o espírito. São Paulo: Cosac Naify, 2013.
MERLEAU-PONTY, M. O visível e o invisível. São Paulo: Perspectiva, 2014.
MONSON, I. Saying Something: Jazz improvisation and interaction. Chicago: The University of Chicago Press, 1996.
MORAN, D. The phenomenology of embodiment: Intertwining and Reflexivity In: JENSEN, R. T.; MORAN, D. The phenomenology of embodied subjectivity. Springer: New York, 2013, p.285-304.
MORRIS, D. The sense of space. Albany: State University of New York Press, 2004.
MURCHADHA, F. Ó. Space, Time and the Articulation of a place in the world: the philosophical context. In: RICHARDSON, B. (Org.) Spatiality and symbolic expression: on the links between Place and Culture. New York: Paulgrave macmillian, 2015, p.21-40.
RELPH, E. Place and placelessness. London: Pion Limited, 1976.
SARDENBERG, R Inserções em circuitos internacionais. In: SARDENBERG, R. (Org.) Arte contemporânea no século XXI: 10 brasileiros no circuito internacional. Rio de Janeiro: Capivara, 2011, p.15-23.
SEAMON, D. A Geography of the lifeworld: movement, rest and encounter. London: Croom Helm, 1979.
SEAMON, D. Place attachment and phenomenology: The synergistic dynamism of place. In: MANZO, L. C. (Org.); DEVINE-WRIGHT, P. (Org.) Place Attachment: advances in theory, methods and applications. Abingdon: Routledge, 2014, pp. 11-22.
SILVA, A. C. De quem é o pedaço? São Paulo: Hucitec, 1986.
TUAN, Y. Humanist Geography: an individual’s search for meaning. Staunton: George F. Thompson Publishing, 2012.
TUAN, Y. Espaço e lugar: a perspectiva da experiência. Londrina: EdUel, 2013.
TUNGA. Entrevista com Tunga. [2011] Rio de Janeiro SARDENBERG, R. (Org.) Arte contemporânea no século XXI: 10 brasileiros no circuito internacional, p.120-143. Entrevista concedida a Pedro Corrêa do Lago.
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2020-12-30
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Souza Júnior, C. R. B. de. (2020). Caminos Cuerpo-Experienciales a partir del Bepop-de-Lugar: sentidos espaciales de Galeria Cosmococa en el Instituto Inhotim de Arte Contemporânea. Geografia (Londrina), 30(1), 265–284. https://doi.org/10.5433/2447-1747.2021v30n1p265
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