Body-Experiential Pathways trough Place-Bebop: spatial senses in Galeria Cosmococa at Instituto Inhotim de Arte Contemporânea
DOI:
https://doi.org/10.5433/2447-1747.2021v30n1p265Keywords:
Corporeality, Place-ballet, Place-bebop, Movement, Geography and Art.Abstract
Rebuilt in the “Instituto Inhotim de Arte Contemporânea” as conceived by Hélio Oiticica and Neville d’Almeida, the five cosmococas that compose “Galeria Cosmococa” are immersive spatial-sensorial experiences. The essay intends to, through a Merleau-Pontian existentialist phenomenological perspective, decipher how the cosmococas can open up geographical comprehension of ephemeral and bodily experience of place lived by subjects in their daily lives. In transcendence to Seamon’s concept of place-ballet, the entropic experience of immersion in the artwork indicates a transitory temporality that crystalizes on place-bebop. Cosmococas implicate in way by which subject-place encounters and movements gain complex outlines in the spatialization of chance and unpredictability. The installations make explicit microdynamics of place that unravel in the phenomenal instant temporal horizon synthetized in place-ballet.Metrics
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References
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TUAN, Y. Humanist Geography: an individual’s search for meaning. Staunton: George F. Thompson Publishing, 2012.
TUAN, Y. Espaço e lugar: a perspectiva da experiência. Londrina: EdUel, 2013.
TUNGA. Entrevista com Tunga. [2011] Rio de Janeiro SARDENBERG, R. (Org.) Arte contemporânea no século XXI: 10 brasileiros no circuito internacional, p.120-143. Entrevista concedida a Pedro Corrêa do Lago.
ARCHER, M. Arte contemporânea. São Paulo: Martins Fontes, 2012.
BACHELARD, G. La terre et les rêveries de la volonté. Paris : Librairie José Corti, 1948a.
BACHELARD, G. A intuição do instante. Campinas: Verus Editora, 2010.
BARBARAS, R. The Being of the Phenomenon: Merleau-Ponty’s ontology. Bloomington: Indiana University Press, 2004.
BUSKIRK, M. The contingent object of contemporary art. Cambridge: The MIT Press, 2003.
CASEY, E. S. The Fate of place: a philosophical history. Berkley: University of California Press, 1998.
CASEY, E. S. Aesthetic Experience. In: SEPP, H. R.; EMBREE, L. (Orgs.) Handbook of phenomenological aesthetics. London: Springer Science+Bussiness Media, 2010, pp.1-7.
COBB, W. Being-in-the-world and ethical language. In: CARR, D.; CASEY, E. S. (Orgs.) Explorations in phenomenology: papers of the society for phenomenology and existential philosophy. Leiden: Martinus Nijhoff, 1973, p.423-433.
DAVIDSON, J.; MILLIGAN, C. Embodying emotion sensing space: introducing emotional geographies. Social & Cultural Geography, v.5, n.4, p.523-532, 2004.
DUFOURCQ, A. Merleau-Ponty : Une ontologie de l’imaginaire. New York: Springer, 2012.
DUNPHY-BOMFIELD, J. Harmony in a Dislocated World. In: CATALDI, S. L.; HAMRICK, W. S. (Org.) Merleau-Ponty and Environmental Philosophy: Dwelling on the landscapes of though. New York: State University of New York Press, 2007, p.217-234.
GRANGE, J. Place, body and situation. In: SEAMON, D.; MUGERAUER, R. (Orgs.) Dwelling, place and environment: towards a phenomenology of person and world. Dordrecht: Martinus Nijhoff Publishers, 1985, p.71-85.
HAWKINS, H. Dialogues and Doings: Sketching the Relationships between Geography and Art. Geography compass. V. 5, n.7, p.464-478, 2011.
HAWKINS, H. For creative Geographies: Geography, Visual Arts and the Making of Worlds. Routledge: London, 2014.
KARJALAINEN, P. T. Place in Urwind: A humanist geography view. Geograficidade. v. 2, n. 2, Inverno 2012. p.4-22.
KAUSHIK, R. Art and Institution: Aesthetics in the Late Works of Merleau-Ponty. London: Continuum International Publishing Group, 2011.
LAGO, P. C. A acolhida internacional da arte brasileira. In: SARDENBERG, R. (Org.) Arte contemporânea no século XXI: 10 brasilei
LARSEN, S. C.; JOHNSON, J. T. Toward an open sense of place: Phenomenology, affinity, and the question of being. Annals of the Association of American Geographers, v.102, n.3, p.632-646, 2012.
MARRATTO, S. L. The intercorporeal self: Merleau-Ponty on Subjectivity. Albany: State University of New York Press, 2012.
MCDUFFIE, M. F. Art as an enclave of meaning. In: CROWELL, S. G. (Org.) The prism of the self: Philosophical essays in honor of Maurice Natason. Springer: Dordrecht, 1995, p.205-220.
MERLEAU-PONTY, M. Fenomenologia da percepção. São Paulo: Martins Fontes, 2011.
MERLEAU-PONTY, M. A prosa do mundo. São Paulo: Cosac Naify, 2012.
MERLEAU-PONTY, M. O olho e o espírito. São Paulo: Cosac Naify, 2013.
MERLEAU-PONTY, M. O visível e o invisível. São Paulo: Perspectiva, 2014.
MONSON, I. Saying Something: Jazz improvisation and interaction. Chicago: The University of Chicago Press, 1996.
MORAN, D. The phenomenology of embodiment: Intertwining and Reflexivity In: JENSEN, R. T.; MORAN, D. The phenomenology of embodied subjectivity. Springer: New York, 2013, p.285-304.
MORRIS, D. The sense of space. Albany: State University of New York Press, 2004.
MURCHADHA, F. Ó. Space, Time and the Articulation of a place in the world: the philosophical context. In: RICHARDSON, B. (Org.) Spatiality and symbolic expression: on the links between Place and Culture. New York: Paulgrave macmillian, 2015, p.21-40.
RELPH, E. Place and placelessness. London: Pion Limited, 1976.
SARDENBERG, R Inserções em circuitos internacionais. In: SARDENBERG, R. (Org.) Arte contemporânea no século XXI: 10 brasileiros no circuito internacional. Rio de Janeiro: Capivara, 2011, p.15-23.
SEAMON, D. A Geography of the lifeworld: movement, rest and encounter. London: Croom Helm, 1979.
SEAMON, D. Place attachment and phenomenology: The synergistic dynamism of place. In: MANZO, L. C. (Org.); DEVINE-WRIGHT, P. (Org.) Place Attachment: advances in theory, methods and applications. Abingdon: Routledge, 2014, pp. 11-22.
SILVA, A. C. De quem é o pedaço? São Paulo: Hucitec, 1986.
TUAN, Y. Humanist Geography: an individual’s search for meaning. Staunton: George F. Thompson Publishing, 2012.
TUAN, Y. Espaço e lugar: a perspectiva da experiência. Londrina: EdUel, 2013.
TUNGA. Entrevista com Tunga. [2011] Rio de Janeiro SARDENBERG, R. (Org.) Arte contemporânea no século XXI: 10 brasileiros no circuito internacional, p.120-143. Entrevista concedida a Pedro Corrêa do Lago.
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2020-12-30
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Souza Júnior, C. R. B. de. (2020). Body-Experiential Pathways trough Place-Bebop: spatial senses in Galeria Cosmococa at Instituto Inhotim de Arte Contemporânea. GEOGRAFIA (Londrina), 30(1), 265–284. https://doi.org/10.5433/2447-1747.2021v30n1p265
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