The paradigm’s origin in the modern publicitary photography: the Tenedor of André Kertesz or the Cuello Idestyle of Paul Outerbridge
DOI:
https://doi.org/10.5433/1984-7939.2010v6n8p145Keywords:
Photography, advertising, Kertesz, OuterbridgeAbstract
Due to the ambiguity of the origins of advertising photography and its paradigm this article has been focussed on two anthological images : the Kertesz Fork and Outerbridge’s Idestyle Neck. The analysis of these images and their authors has enabled us to conclude that Outerbridge’s photography the Idestyle Neck is more paradigmatic as it conveys sufficient and necessary information to enable the receiver to perfectly identify the product being advertised, surpassing the Kertesz Fork at this information level.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Discursos fotográficos adota a licença CC-BY-NC, esta licença permite copiar e redistribuir o material em qualquer meio ou formato, remixar, transformar e desenvolver o material, desde que não seja para fins comerciais. E deve-se atribuir o devido crédito ao criador.
Este obra está licenciado com uma Licença Creative Commons Atribuição-NãoComercial 4.0 Internacional.