Ekphrasis’ and Fanopeia’s Effects in the cinematic representation of The RighStuff

Authors

  • Silvio Ricardo Demétrio Universidade Estadual de Londrina
  • Gisele Krodel Rech Universidade Estadual de Londrina

DOI:

https://doi.org/10.5433/1984-7939.2014v10n16p35

Keywords:

Literary journalism, The RighStuff, Cinema, Ekphrasis, Fanopeia.

Abstract

This article proposes an analysis of a sequence of the film The rightStuff, 1983, by Philip Kaufman, making from it a parallel with the text of Tom Wolfe in the book-entry of the same name, which inspired the film. Based on concepts from rhetoric and literary theory - read ekphrasis and fanopeia - which deal with literary representations of images and vice-versa, we intend to seek similarities and differences between works in different art forms - literature and cinema. The intention is to create a system of representation, which passes through the directos’s imaginary to interpret and adapt the book by Tom Wolfe, who used the literary journalism to register the odyssey Mercury Project and the mission of the first NASA astronauts.

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Author Biographies

Silvio Ricardo Demétrio, Universidade Estadual de Londrina

Doctor in Epistemology of Research in Communication from the University of São Paulo. Associate professor of UEL in undergraduate Media - Journalism and the Graduate Program in Communication

Gisele Krodel Rech, Universidade Estadual de Londrina

Master's degree inCommunication

Published

2014-07-01

How to Cite

Demétrio, S. R., & Rech, G. K. (2014). Ekphrasis’ and Fanopeia’s Effects in the cinematic representation of The RighStuff. Discursos Fotograficos, 10(16), 35–51. https://doi.org/10.5433/1984-7939.2014v10n16p35

Issue

Section

Artigos