The icons of the bombing of Guernica and its conflicts

Authors

  • José Manuel Susperregui Universidad del País Vasco

DOI:

https://doi.org/10.5433/1984-7939.2012v8n12p129

Keywords:

Guernica, Pablo Picasso, Robert Capa, Spanish Civil War.

Abstract

The aerial bombardment suffered by the Basque city of Guernica during the Spanish Civil War created a great commotion worldwide. Pablo Picasso painted a picture called Guernica that was shown in the International Exhibition of Paris, celebrated in 1937, turning it into the icon of the genocide suffered by that place. At the same time, since the Spanish Civil War was an important experience for the modern press photography, it calls the attention that the icon is a painting and not a photograph. Therefore this article analyzes the reasons why the pictorial expression imposed itself on the photographic expression, as well as the passage of the symbol represented by Picasso.

Downloads

Download data is not yet available.

Author Biography

José Manuel Susperregui, Universidad del País Vasco

Profesor titular del Departamento de Comunicación Audiovisual y Publicidad de la Universidad del País Vasco, España. Investigador especializado en fotografía. Entre sus libros publicados destacan Fundamentos de la fotografía y Sombras de la fotografía. Últimamente se ha especializado en la obra de Robert Capa relacionada con la Guerra Civil Española.

Published

2012-05-15

How to Cite

Susperregui, J. M. (2012). The icons of the bombing of Guernica and its conflicts. Discursos Fotograficos, 8(12), 129–160. https://doi.org/10.5433/1984-7939.2012v8n12p129

Issue

Section

Artigos