Who listens to the watchmen? a sound study on the filmic adaptation watchmen

Authors

DOI:

https://doi.org/10.5433/el.2011v7.e25653

Keywords:

Watchmen, Sound study, Filmic adaptation, Graphic novel

Abstract

Sound can be a tricky aspect in film analysis. Upon watching a movie, people tend to pay attention to visual aspects. Thus, sound is generally forgotten, observed as a merely background to mise-en-scène and narrative. The present discussion raises the relevance of sound in the film Watchmen (2009), adapted from the eponymous graphic novel. The sound analysis based on Bordwell and Thompson’s theory (1996) suggests that the observation of such aspect unveils: (1) the importance of sound phenomenon to the movies; (2) the use of songs to illustrate certain historical situations; (3) a better understanding of the different use of diegetic and non-diegetic sound in fiction.

References

BORDWELL, David; THOMPSON, Kristin. Film art: an introduction. 5. ed.. New York: McGraw-Hill Companies, 1996.

JACKSON, Blair. SFP: Watchmen. Mix: Professional Audio and Music Production. Disponível em: http://mixonline.com/post/features/sfp watchmen/index1.html. Acesso em: 25 jun. 2010.

MARTIN, Marcel. A linguagem cinematográfica. São Paulo: Brasiliense, 2003.

MOORE, Alan. Watchmen. New York: DC Comics Inc., 1986.

WATCHMEN. Produção de Zack Snyder. Canadá: Warner Bros, 2009.

Published

2011-02-22

How to Cite

Marchi, A., Bailer, C., Kremer, M. M., & Kawamoto, M. T. M. (2011). Who listens to the watchmen? a sound study on the filmic adaptation watchmen. Estação Literária, 7, 162–175. https://doi.org/10.5433/el.2011v7.e25653

Issue

Section

Artigos da Seção Livre